Finding maximalism

• Bring closeness of film into theater
• Sensations - smell, nausea, horror
• Make the scenography alive
• Provocation

Sodja

• Daring to go all out maximum or all out minimum
• How little does it take to go from maximum to minimum + other way around?
• Having a core/anchor
• Constructing something to deconstruct it
  

Finding minimalism in maximalism

• The simple things: find the simple walk for the character, record simple sentences, find simple movements that you repeat
• Everything can be built up and exploded but you have to have solid base
• A solid simple BUT rhythmic walk can be the scene stealer

Sodja

• Dont put everything together at once
• Choosing an action and JUST do this
• Insisting on your proposal even if it does not work RIGHT NOW
• Allow yourself to be on floor even when it is not working

The little Details 

• EVERYTHING IS INTERESTING.
• How do you make even the smallest scenes/sentences/things memorable
• Make them stick - make it catchy - make catchphrases
• Make scenes that will forever be ingrained in their heads.       

Space

• Dont just enter the space - take your time., observe surroundings - take the longest route to slowly build it up
• Dont just blow it up immediately
• Constantly see yourself from the outside, how does every movement/placement/gesture look
• EVERYTHING THAT IS IN THE SPACE IS PART OF THE PLAY

From minimum to maximum with Talking Heads