Speculative realism - percieving everything through the human mind but everything exists equally with the human mind
New materialism - becomings (natural/cultural events) producing the world around us
Object oriented onthology - objects can exist independently of human perception and can themselves be/come alive
Metaphysics - theatre as a threshold for characters/objects/events to come to prescense - becoming more than what the physical eye percieve them as
Recycling as representation - reusing material but rethinking it. Looking at what already exists and rethinking it
Emancipated spectator - Making the audience active and engaged participants - finding their own meanings and solutions to dilemmas/images proposed to them. Making them conront themselves as a collective
Street Scene
Philip Schulte
Artuad - Metaphysics and the Mise en Scene
Theater that speaks to the senses instead of the mind
Using language as material - sound of words not words as meaning
Theater with a sense of danger and sense of humour - bringing back the unexpected
Brecht
Street scene: Demonstrating what you saw, showing just what is necessary for people to form their own opinion.
Clear distinction between you and the characters and between
Simply imitating characters actions to allow conclusions to be drawn from this
Acting as if this happened in real life and you are just demonstrating it - you are you playing hamlet for a certain purpose and you only play what is necessary for this purpose + you can step in and out of the character
How to be the spectator
Finding a vocabulary that helps you when watching and engaging with performances
What works and what does not and why
As a... I needed more/appreciated/whatever...
Im curious of this and maybe that could have been explored even deeper
What questions/dilemmas did it raise in you
Get in Touch
Paragraphs are the main building blocks of web pages. To change what this one says, just double-click here or hit Edit text. You can change the style here, too.